Giselle a masterpiece. 1841

Carlotta Grisi is a star! 

Last night I saw Giselle, the most wonderful of all the Romantic Ballets I have seen thus far. The story, the set, the lighting, the choreography, everything as a whole made the production wonderful.

But, as always, my focus was on the exquisite costumes! 

Perrot's choreography had a focus on delicate port de bras, effortless foot work and quick jumps. The romantic tutu could not have fit the ballet better.

When Carlotta lifted her leg the skirt would float into the air and linger as she moved onto the next movement. Her upper body had some freedom to move and be expressive but it still displayed a beautiful detailed bodice complimenting the tulle skirt beneath. The head piece was simple so no to get in the way of turning or jumps. 

I was in awe! You have seen more of the ballerina then ever before, but without the shortened skirt you wouldn't be able to see the pointe work.

The costumes of the first act were just as wonderful as the willis tutu's in the second act. They resembled peasant dresses of the era while still being moveable to show off the phenomenal corps work.